Dmitri Shostakovitsh -albumi, sovitukseni Dmitri Shostakovitshin teoksista, op. G, (sovituksia 2004/2006/2014-2019):
(Kokonais sisältö: op. 54, op. Ci, op. Cii, op. 79:2, op. Fi, op. Fii, op. Fiii, op. 81, op. Gi, op. Gii, op. Giii, op. Giv, op. Gv, op. Gvi, op.Gvii, op. Gviii, op. Gix, op. Gx, op. Gxi, op. Gxii, op. Gxiii, op. Gxiv, op. Gxv, op. Gxvi)
– (2004: ks. op. Gi-op. Giv, (osin: op. Gv-op Gvi), sekä uudelleen kirjoitetut: op. Ci-op. Cii, op. Fi-op. Fiii, op. 54, op. 79:2, op. 81)
– (2006: ks. op. Gvii-op. Gxiv, (osin: op. Gv-op. Gvi, op. Gxiii))
– (2014: ks. op. Gxv, op. Gxvi)
op. Gi, Sovitus Dmitri Shostakovitshin teoksesta 3 Katerinan ariaa, oopperasta Mtsenskin kihlakunnan Lady Macbeth, (op. 29) – huilu, piano
op. Gii, Sovitus Dmitri Shostakovitshin teoksista 3 romanssia bassolle ja pianolle, (op. 98:5, op. 128, Suudelmia) – alttohuilu, piano
op. Giii, Sovitus Dmitri Shostakovitshin Laulusta: Isänmaa kuulee, (op. 86:1) – huilu, kitara
op. Giv, Sovitus Dmitri Shostakovitshin 4 elokuvakatkelmasta, (op. 116: Ofelian tanssi, op. 132: Valssi, op. 97: Melodia, op. 33: Työn laulu) – huilu, kitara
op. Gv, Sovitus Dmitri Shostakovitshin 5 laulusta, (op. 86:1-2, Kreikkalaiset laulut 1-3) – huilu, piano
op. Gvi, Sovitus Dmitri Shostakovitshin Romanssista, (op. 98:5) – huilu, piano
op. Gvii, Sovitus Dmitri Shostakovitshin Prologista, elokuvamusiikista Maksimin nuoruus, (op. 41i) – huuliharppu
op. Gviii, “Sinfonia-sikermä” – Sovitus Dmitri Shostakovitshin katkelmia Sinfonioista, (Sinfoniat No: 11, op. 103, osasta: 1. – No: 4, op. 43, osasta: 3. – No: 6, op. 54, osasta: 1. – No: 12, op. 112, osasta: 2. – No: 7, op. 60, osasta: 1. – No: 8, op. 65, osasta: 1.) – sello, sello, sello, sello, sello
op. Gix, Sovitus Dmitri Shostakovitshin 5 näytelmälaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 72:2: Kehtolaulu, op. 58a: Cordelian balladi, op. 32:1: Juhlaromanssi, op. 32:2 Ofelian laulu) – huilu, piano
op. Gx, Sovitus Dmitri Shostakovitshin Intervisionista 1971, (1. versio) – piano
op. Gxi, Sovitus Dmitri Shostakovitshin 5 näytelmälaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 72:2: Kehtolaulu, op. 58a: Cordelian balladi, op. 32:1: Juhlaromanssi, op. 32:2 Ofelian laulu) – klarinetti, piano
op. Gxii, Sovitus Dmitri Shostakovitshin Kehtolaulusta, (op. 72:2), (lisäosana op. Gix, op. Gxi kanssa klarinetti 2 ja 3) – huilu tai klarinetti, klarinetti, klarinetti, piano
op. Gxiii, Sovitus Dmitri Shostakovitshin Stalinin puutarhassa, elokuvamusiikista Berliinin tuho, (op. 82) – huilu (tai piccolo), pasuuna
op. Gxiv, Sovitus Dmitri Shostakovitshin 5 näytelmä- ja elokuvalaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 58a: Cordelian balladi, op. 86:1 Isänmaa kuulee, op. 33: Työn laulu, op. 80: Kaipuu synnyinmaahan) – sello, sello, sello, sello, sello
op. Gxv, Sovitus Dmitri Shostakovitshin Passacagliasta, Viulukonsertosta No: 1, osa: 3., (op. 77) – urut
op. Gxvi, Sovitus Dmitri Shostakovitshin Hullun laulut No: 6 ja No: 10, näytelmämusiikista Kuningas Lear, (op. 58a) – huilu, piano
- Partly unpublic recordings! – Partly not recorded!
Dmitri Shostakovich – Album, My arrangements from works of Dmitri Shostakovich, op. G, (arrangements 2004/2006/2014 -2019)
– (look my op. 54, sis. op. Ci, op. Cii, op. 79:2, op. Fi, op. Fii, op. Fiii, op. 81, op. Gi, op. Gii, op. Giii, op. Giv, op. Gv, op. Gvi, op. Gvii, op. Gviii, op. Gix, op. Gx, op. Gxi, op. Gxii, op. Gxiii, op. Gxiv, op. Gxv..), included: op. Ci, (15.7.2004) – op. Fi, (19.-21.7.2004) – op. Fii, (21.7.2004) – My op. 79:2, (25.4-21.7.2004) – My op. 81, (23.7.2004), – op. Cii, (22.7.2004) – My op. 54, (23.7.2004) – (17.7.2004-26.7.2019)
op. Gi, Arrangements from Dmitri Shostakovich’s 3 Katerina’s aria, from Opera Lady Macbeth of Mtsensk District, (op. 29) – for flute and piano
- ”Oh, I don’t feel like sleep any more, but I’ll try”, from ACT I, Scene 1., part 1.
- ”The foal runs after the filly”, from ACT I, Scene 3., part 9.
- ”It’s hard when you’re used to honour and respect”, ACT IV, Scene 9., part 3.
op. Gii, Arrangements from Dmitri Shostakovich’s 3 Romance for Bass and Piano, (op. 98:5, op. 128, There Were Kisses) – for alto flute and piano
- The Day of Memories, from 5 Songs to lyrics by Dolmatovsky, op. 98, No: 5.
- Spring, Spring…, words by Pushkin, op. 128
- We Had Kisses, words by Dolmatovsky
op. Giii, Arrangement from Dmitri Shostakovich’s Song: The Motherland Hears, (op. 86:1) – for flute and guitar
- The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.
op. Giv, Arrangements from Dmitri Shostakovich’s 4 Film Music Fragments, (op. 116: Ophelia’s Dance, op. 132: Waltz, op. 97: Melody, op. 33: Song of Work) – for flute and guitar
- Dance of Ophelia, from The Film Music Hamlet, op. 116
- Waltz, from The Film Music Sofya Perovskaya, op.132
- Melody, (Guitars or Interlude), from The Film Musik The Gadfly, op. 97
- The Song of Work, (The Song of Counterplan), from The Film Music Counterplan, op. 33
op. Gv, Arrangements from Dmitri Shostakovich’s 5 Songs for Voice and Piano (op. 86:1-2, Greek Songs 1-3) – for flute and piano
- The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.
- Rescue Me, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 2.
- Forward!, from Greek Songs, No: 1.
- Penthosalis, from Greek Songs, No: 2.
- Zolongo, (Folk Song), from Greek Songs, No: 3.
op. Gvi, Arrangement from Dmitri Shostakovich’s Romance for Bass and Piano, (op. 98:5) – for flute and piano
- The Day of Memories, from 5 Songs to lyrics by Dolmatovsky, op. 98, No: 5.
op. Gvii, Arrangement from Dmitri Shostakovich’s Prologue, from The Film Music The Youth of Maxim, (op. 41i) – for harmonica
op. Gviii, Arrangement-Suite named: Symphony-Fragments, from Dmitri Shostakovich’s Symphonies (No: 11, op. 103, part 1. – No: 4, op. 43, part 3. – No: 6, op. 54, part 1. – No: 12, op. 112, part 2. – No: 5, op. 47, part 3. – No: 7, op. 60, part 1. – No: 8, op. 65, part 1.) – for 5 cellos
- Fragment from Symphony No: 11, op. 103, part 1.
- Fragment from Symphony No: 4, op. 43, part 3.
- Fragments from Symphonies No: 6, op. 54, part 1. – No: 12, op. 112, part 2. – No: 5, op. 47, part 3.
- Fragments from Symphonies No: 7, op. 60, part 1. – No: 8, op. 65, part 1.
op. Gix, Arrangements from Dmitri Shostakovich’s 5 Songs from The Incidental Music, (op. 72:1-2, op. 58a, op. 32:1-2) – for flute and piano
- The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
- Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.
- Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
- Romance at the Banquet, from The Incidental Music Hamlet, op. 32, No: 30.
- Ophelia’s Song, from The Incidental Music Hamlet, op. 32, No: 33.
op. Gx, Arrangement from Dmitri Shostakovich’s Intervision for Orchestra, (1971), for Piano, (version 1.)
op. Gxi, Arrangements from Dmitri Shostakovich’s 5 Songs from The Incidental Music, (op. 72:1-2, op. 58a, op. 32:1-2)
- The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
- Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.
- Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
- Romance at the Banquet, from The Incidental Music Hamlet, op. 32, No: 30.
- Ophelia’s Song, from The Incidental Music Hamlet, op. 32, No: 33.
op. Gxii, Arrangements from Dmitri Shostakovich’s song from the Incidental Music (op. 72:2), (for 2nd. and 3rd. Clarinet Parts, with op. Gix or op. Gxi) – 2 clarinet parts
- Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.
op. Gxiii, Arrangement from Dmitri Shostakovich’s In The Garden, from The Film Music The Fall of Berlin, (op. 82) – for flute (or piccolo) and trombone
op. Gxiv, Arrangements from Dmitri Shostakovich’s Songs of Incidental and Film Music, (op. 72:1, op. 58a, op. 86:1, op. 33, op. 80) – for 5 cellos
- The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
- Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
- The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.
- The Song of Work, (The Song of Counterplan), from The Film Music Counterplan, op. 33
- Longing for the Native Country, from The Film Music The Meeting on the Elbe, op. 80
op. Gxv, Arrangement from Dmitri Shostakovich’s Passacaglia, from Violin Concerto No: 1, part 3., (op. 77) – for organ
op. Gxvi, Arrangement from Dmitri Shostakovich’s Fool’s Songs No: 6. and No: 10., from incidental musik King Lear, (op. 58a) – for flute and piano
- Fool’s Song No: 6, from The Incidental Music King Lear, op. 58a
- Fool’s Song No: 10, from The Incidental Music King Lear, op. 58a