op. G: op. Gi – op. Gxvi

Dmitri Shostakovitsh -albumi, sovitukseni Dmitri Shostakovitshin teoksista, op. G, (sovituksia 2004/2006/2014-2019):
(Kokonais sisältö: op. 54, op. Ci, op. Cii, op. 79:2, op. Fi, op. Fii, op. Fiii, op. 81, op. Gi, op. Gii, op. Giii, op. Giv, op. Gv, op. Gvi, op.Gvii, op. Gviii, op. Gix, op. Gx, op. Gxi, op. Gxii, op. Gxiii, op. Gxiv, op. Gxv, op. Gxvi)
– (2004: ks. op. Gi-op. Giv, (osin: op. Gv-op Gvi), sekä uudelleen kirjoitetut: op. Ci-op. Cii, op. Fi-op. Fiii, op. 54, op. 79:2, op. 81)
– (2006: ks. op. Gvii-op. Gxiv, (osin: op. Gv-op. Gvi, op. Gxiii))
– (2014: ks. op. Gxv, op. Gxvi)

op. Gi, Sovitus Dmitri Shostakovitshin teoksesta 3 Katerinan ariaa, oopperasta Mtsenskin kihlakunnan Lady Macbeth, (op. 29) – huilu, piano

op. Gii, Sovitus Dmitri Shostakovitshin teoksista 3 romanssia bassolle ja pianolle, (op. 98:5, op. 128, Suudelmia) – alttohuilu, piano

op. Giii, Sovitus Dmitri Shostakovitshin Laulusta: Isänmaa kuulee, (op. 86:1) – huilu, kitara

op. Giv, Sovitus Dmitri Shostakovitshin 4 elokuvakatkelmasta, (op. 116: Ofelian tanssi, op. 132: Valssi, op. 97: Melodia, op. 33: Työn laulu) – huilu, kitara

op. Gv, Sovitus Dmitri Shostakovitshin 5 laulusta, (op. 86:1-2, Kreikkalaiset laulut 1-3) – huilu, piano

op. Gvi, Sovitus Dmitri Shostakovitshin Romanssista, (op. 98:5) – huilu, piano

op. Gvii, Sovitus Dmitri Shostakovitshin Prologista, elokuvamusiikista Maksimin nuoruus, (op. 41i) – huuliharppu

op. Gviii, “Sinfonia-sikermä” – Sovitus Dmitri Shostakovitshin katkelmia Sinfonioista, (Sinfoniat No: 11, op. 103, osasta: 1. – No: 4, op. 43, osasta: 3. – No: 6, op. 54, osasta: 1. – No: 12, op. 112, osasta: 2. – No: 7, op. 60, osasta: 1. – No: 8, op. 65, osasta: 1.) – sello, sello, sello, sello, sello

op. Gix, Sovitus Dmitri Shostakovitshin 5 näytelmälaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 72:2: Kehtolaulu, op. 58a: Cordelian balladi, op. 32:1: Juhlaromanssi, op. 32:2 Ofelian laulu) – huilu, piano

op. Gx, Sovitus Dmitri Shostakovitshin Intervisionista 1971, (1. versio) – piano

op. Gxi, Sovitus Dmitri Shostakovitshin 5 näytelmälaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 72:2: Kehtolaulu, op. 58a: Cordelian balladi, op. 32:1: Juhlaromanssi, op. 32:2 Ofelian laulu) – klarinetti, piano

op. Gxii, Sovitus Dmitri Shostakovitshin Kehtolaulusta, (op. 72:2), (lisäosana op. Gix, op. Gxi kanssa klarinetti 2 ja 3) – huilu tai klarinetti, klarinetti, klarinetti, piano

op. Gxiii, Sovitus Dmitri Shostakovitshin Stalinin puutarhassa, elokuvamusiikista Berliinin tuho, (op. 82) – huilu (tai piccolo), pasuuna

op. Gxiv, Sovitus Dmitri Shostakovitshin 5 näytelmä- ja elokuvalaulusta, (op. 72:1: Pienten lyhtyjen laulu, op. 58a: Cordelian balladi, op. 86:1 Isänmaa kuulee, op. 33: Työn laulu, op. 80: Kaipuu synnyinmaahan) – sello, sello, sello, sello, sello

op. Gxv, Sovitus Dmitri Shostakovitshin Passacagliasta, Viulukonsertosta No: 1, osa: 3., (op. 77) – urut

op. Gxvi, Sovitus Dmitri Shostakovitshin Hullun laulut No: 6 ja No: 10, näytelmämusiikista Kuningas Lear, (op. 58a) – huilu, piano

  •  Partly unpublic recordings! – Partly not recorded!

Dmitri Shostakovich – Album, My arrangements from works of Dmitri Shostakovich, op. G, (arrangements 2004/2006/2014 -2019)
– (look my op. 54, sis. op. Ci, op. Cii, op. 79:2, op. Fi, op. Fii, op. Fiii, op. 81, op. Gi, op. Gii, op. Giii, op. Giv, op. Gv, op. Gvi, op. Gvii, op. Gviii, op. Gix, op. Gx, op. Gxi, op. Gxii, op. Gxiii, op. Gxiv, op. Gxv..), included: op. Ci, (15.7.2004) – op. Fi, (19.-21.7.2004) – op. Fii, (21.7.2004) – My op. 79:2, (25.4-21.7.2004) – My op. 81, (23.7.2004), – op. Cii, (22.7.2004) – My op. 54, (23.7.2004) – (17.7.2004-26.7.2019)

op. Gi, Arrangements from Dmitri Shostakovich’s 3 Katerina’s aria, from Opera Lady Macbeth of Mtsensk District, (op. 29) – for flute and piano

  1. ”Oh, I don’t feel like sleep any more, but I’ll try”, from ACT I, Scene 1., part 1.
  2. ”The foal runs after the filly”, from ACT I, Scene 3., part 9.
  3. ”It’s hard when you’re used to honour and respect”, ACT IV, Scene 9., part 3.

op. Gii, Arrangements from Dmitri Shostakovich’s 3 Romance for Bass and Piano, (op. 98:5, op. 128, There Were Kisses) – for alto flute and piano

  1. The Day of Memories, from 5 Songs to lyrics by Dolmatovsky, op. 98, No: 5.
  2. Spring, Spring…, words by Pushkin, op. 128
  3. We Had Kisses, words by Dolmatovsky

op. Giii, Arrangement from Dmitri Shostakovich’s Song: The Motherland Hears, (op. 86:1) – for flute and guitar

  1. The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.

op. Giv, Arrangements from Dmitri Shostakovich’s 4 Film Music Fragments, (op. 116: Ophelia’s Dance, op. 132: Waltz, op. 97: Melody, op. 33: Song of Work) – for flute and guitar

  1. Dance of Ophelia, from The Film Music Hamlet, op. 116
  2. Waltz, from The Film Music Sofya Perovskaya, op.132
  3. Melody, (Guitars or Interlude), from The Film Musik The Gadfly, op. 97
  4. The Song of Work, (The Song of Counterplan), from The Film Music Counterplan, op. 33

op. Gv, Arrangements from Dmitri Shostakovich’s 5 Songs for Voice and Piano (op. 86:1-2, Greek Songs 1-3) – for flute and piano

  1. The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.
  2. Rescue Me, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 2.
  3. Forward!, from Greek Songs, No: 1.
  4. Penthosalis, from Greek Songs, No: 2.
  5. Zolongo, (Folk Song), from Greek Songs, No: 3.

op. Gvi, Arrangement from Dmitri Shostakovich’s Romance for Bass and Piano, (op. 98:5) – for flute and piano

  1. The Day of Memories, from 5 Songs to lyrics by Dolmatovsky, op. 98, No: 5.

op. Gvii, Arrangement from Dmitri Shostakovich’s Prologue, from The Film Music The Youth of Maxim, (op. 41i) – for harmonica

op. Gviii, Arrangement-Suite named: Symphony-Fragments, from Dmitri Shostakovich’s Symphonies (No: 11, op. 103, part 1. – No: 4, op. 43, part 3. – No: 6, op. 54, part 1. – No: 12, op. 112, part 2. – No: 5, op. 47, part 3. – No: 7, op. 60, part 1. – No: 8, op. 65, part 1.) – for 5 cellos

  1. Fragment from Symphony No: 11, op. 103, part 1.
  2. Fragment from Symphony No: 4, op. 43, part 3.
  3. Fragments from Symphonies No: 6, op. 54, part 1. – No: 12, op. 112, part 2. – No: 5, op. 47, part 3.
  4. Fragments from Symphonies No: 7, op. 60, part 1. – No: 8, op. 65, part 1.

op. Gix, Arrangements from Dmitri Shostakovich’s 5 Songs from The Incidental Music, (op. 72:1-2, op. 58a, op. 32:1-2) – for flute and piano

  1. The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
  2. Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.
  3. Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
  4. Romance at the Banquet, from The Incidental Music Hamlet, op. 32, No: 30.
  5. Ophelia’s Song, from The Incidental Music Hamlet, op. 32, No: 33.

op. Gx, Arrangement from Dmitri Shostakovich’s Intervision for Orchestra, (1971), for Piano, (version 1.)

op. Gxi, Arrangements from Dmitri Shostakovich’s 5 Songs from The Incidental Music, (op. 72:1-2, op. 58a, op. 32:1-2)

  1. The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
  2. Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.
  3. Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
  4. Romance at the Banquet, from The Incidental Music Hamlet, op. 32, No: 30.
  5. Ophelia’s Song, from The Incidental Music Hamlet, op. 32, No: 33.

op. Gxii, Arrangements from Dmitri Shostakovich’s song from the Incidental Music (op. 72:2), (for 2nd. and 3rd. Clarinet Parts, with op. Gix or op. Gxi) – 2 clarinet parts

  1. Lullaby, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 2.

op. Gxiii, Arrangement from Dmitri Shostakovich’s In The Garden, from The Film Music The Fall of Berlin, (op. 82) – for flute (or piccolo) and trombone

op. Gxiv, Arrangements from Dmitri Shostakovich’s Songs of Incidental and Film Music, (op. 72:1, op. 58a, op. 86:1, op. 33, op. 80) – for 5 cellos

  1. The Little Lantern Song, from Two Songs to words by Svetlov, from The Incidental Music Victorious Spring, op. 72, No: 1.
  2. Cordelia’s Ballad, from The Incidental Music King Lear, op. 58a, No: 1.
  3. The Motherland Hears, from Four Songs to lyrics by Dolmatovsky, op. 86, No: 1.
  4. The Song of Work, (The Song of Counterplan), from The Film Music Counterplan, op. 33
  5. Longing for the Native Country, from The Film Music The Meeting on the Elbe, op. 80

op. Gxv, Arrangement from Dmitri Shostakovich’s Passacaglia, from Violin Concerto No: 1, part 3., (op. 77) – for organ

op. Gxvi, Arrangement from Dmitri Shostakovich’s Fool’s Songs No: 6. and No: 10., from incidental musik King Lear, (op. 58a) – for flute and piano

  1. Fool’s Song No: 6, from The Incidental Music King Lear, op. 58a
  2. Fool’s Song No: 10, from The Incidental Music King Lear, op. 58a