CATALOGUE OF WORKS BY DMITRI SHOSTAKOVICH
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Works:
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JUVENALIA:
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- The Soldier, for piano
- Hymn to Freedom, for piano (1915-1916)
- Funeral March, for piano (1917)
- The Gypsies, an opera after Pushkin – fragments voices for orchestra
- The Gypsies, an opera – fragments transcription for voices and piano
- Revolutionary Symphony
- Rusalochka, a ballet after H.C. Andersen
- In the Forest, a trilogy for piano
- Fantasy for 2 pianos
- Two Mazurkas, for piano
- Polka, for piano
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WORKS WITH OPUS-NUMBERS:
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- Opus 1 – Scherzo, F sharp minor, for orchestra (1919)
- Opus 1a – Scherzo, F sharp minor, for piano
- Opus 2 – 8 Preludes, for piano (1919-1920)
- Opus 3 – Theme and Variations, B flat major, for orchestra (1921-1922)
- Opus 3a – Theme and Variations, B flat major, for piano
- Opus 4 – 2 Fablens by Krylov, for mezzo-soprano, women choir and orchestra (1922)
- Opus 4 – 2 Fablens by Krylov, for mezzo-soprano and piano
- Opus 5 – 3 Fantastic Dances, for piano (1922)
- Opus 6 – Suite, F sharp minor, for 2 pianos (1922)
- Opus 7 – Scherzo, E flat major, for orchestra (1923-1924)
- Opus 8 – Trio No: 1 (1923)
- Opus 9 – 3 Pieces for Cello and Piano (1923-1924)
- Opus 10 – Symphony No: 1, F minor (1924-1925)
- Opus 10 – Symphony No: 1, F minor, transcription for 2 pianos
- Opus 11 – Prelude and Scherzo, for string octet (1924-1925)
- Opus 12 – Piano Sonata No: 1 (1926)
- Opus 13 – Aphorisms, 10 Pieces for piano (1927)
- Opus 14 – Symphony No: 2, B major, ”To October”, for chorus and orchestra (1927)
- Opus 14 – Symphony No: 2, B major, ”To October”, transcription for chorus and piano
- Opus 15 – The Nose, the opera in three acts, after Gogol (1927-1928)
- Opus 15 – The Nose, the opera in three acts, transcription for voices, chorus and piano
- Opus 15a – Suite from opera The Nose, for tenor, baritone and orchestra, after Mayakovsky (1927-1928)
- Opus 16 – Tahiti Trot – Tea for Two, after Youman’s Foxtrot, for orchestra (1928)
- Opus 17 – 2 Pieces by Scarlatti, for wind orchestra (1928)
- Opus 18 – New Babylon, music for the film (1928-1929)
- Opus 18a – Suite from music for the film New Babylon, (Rozhdestvensky) (1976)
- Opus 19 – The Bedbug, the incidental music, for bass baritone, chorus and orchestra (1929)
- Opus 19 – The Bedbug, the incidental music, transcription for voices, chorus and piano
- Opus 19a – Suite from the incidental music The Bedbug, for orchestra
- Opus 20 – Symphony No: 3, E flat major, ”The First of May”, for chorus and orchestra (1929)
- Opus 20 – Symphony No: 3, E flat major, ”The First of May”, transcription for chorus and piano
- Opus 21 – 6 Romances on Japanese Poems, for tenor and orchestra (1928-1932)
- Opus 21a – 6 Romances on Japanese Poems, for tenor and pianolle (1964)
- Opus 22 – The Golden Age, the ballet in three acts (1929-1930)
- Opus 22 – The Golden Age, the ballet in three acts, transcription for piano
- Opus 22a – Suite from the ballet The Golden Age (1929-1930)
- Opus 22 – Polka from the ballet The Golden Age, arr. for piano (1935)
- Opus 23 – 2 Pieces from the opera ”Armer Columbus” by Ervin Dressel (1929)
- Opus 24 – The Shot, the incidental music, after Bezymensky (1929)
- Opus 24 – The Shot, the incidental music, transcription for voice, chorus and piano
- Opus 25 – Virgin Land, the incidental music, after Gorbenko and L’vov (1930)
- Opus 26 – Alone, music for the film (1930-1931)
- Opus 26a – Suite from the film music Alone, for orchestra (Rozhdestvensky)
- Opus 27 – The Bolt, the ballet in three acts (1930-1931)
- Opus 27 – The Bolt, the ballet in three acts, transcription for piano
- Opus 27a – Suite from the ballet The Bolt, for orchestra (1931)
- Opus 28 – Rule, Bitannia!, the incidental music, after Pyotrovsky (1931)
- Opus 28 – Rule, Bitannia!, the incidental music, transcription for chorus and piano
- Opus 29 – Lady Macbeth of Mtsensk District, the opera in four act, after Leskov (1930-1932)
- Opus 29 – Lady Macbeth of Mtsensk District, the opera in four act, transcription for voices, chorus and piano
- Opus 29a – Suite from the opera Lady Macbeth of Mtsensk District, for voices and orchestra
- Opus 29 – Passacaglia, from opera Lady Macbeth of Mtsensk District, for organ
- Opus 30 – The Golden Mountains, music for the film (1931)
- Opus 30a – Suite from music for the film The Golden Mountains (1931)
- Opus 31 – Conditionally Killed, the incidental music for revue, for orchestra, after Voyevodin and Rissi (1931)
- Opus 31 – Conditionally Killed, the incidental music for revue, for piano
- Opus 31a – Reorchestration from the incidental music for revue Conditionally Killed (McBurney) (1992)
- Opus 32 – Hamlet, the incidental music, for voices and orchestra, after Shakespeare – (1932 production) (1931-1932)
- Opus 32 – Hamlet, 2 fragments from the incidental music for orchestra, after Shakespeare – (1954 production) (1954)
- Opus 32 – Hamlet, the incidental music, transcription for voices and piano
- Opus 32a – Suite from the incidental music Hamlet, for orchestra (1932)
- Opus 33 – Counterplan, music for the film (1932)
- Opus 33 – Song of Counterplan, for voice and piano
- Opus 34 – 24 Preludes for piano (1932-1933)
- Opus 35 – Piano Concerto No: 1, C minor, for piano, trumpet and orchestra (1933)
- Opus 35 – Piano Concerto No: 1, C minor, transcription for 2 piano
- Opus 36 – The Tale of a Priest and His Servant Balda, the cartoon film (1933-1934)
- Opus 36a – Suite from music for the film music The Tale of a Priest and His Servant Balda (1935)
- Opus 37 – The Human Comedy, incidental music, for orchestra, after Balzac (1933-1934)
- Opus 37 – The Human Comedy, incidental music, transcription for piano
- Opus 38 – Love and Hate, music for the film (1934)
- Opus 39 – The Limpid Stream, the ballet in three acts (1934-1935)
- Opus 39 – The Limpid Stream, the ballet in three acts, transcription for piano
- Opus 39a – Suite from the ballet The Limpid Stream, for orchestra (1934-1935)
- Opus 40 – Cello Sonata, D minor (1934)
- Opus 41i – The Youth of Maxim, music for the film (1934-1935)
- Opus 41ii – The Girl Friends, music for the film (1934-1935)
- Opus 41ii – Preludes from the film The Girl Friends, for string quartet, piano and trumpet
- Opus 42 – 5 Fragments, for small orchestra (1935)
- Opus 43 – Symphony No: 4, C minor (1935-1936)
- Opus 43 – Symphony No: 4, C minor, transcription for 2 pianos
- Opus 44 – Salute to Spain, the incidental music, after Afinogenov (1936)
- Opus 44 – Salute to Spain, the incidental music, transcription for voice and piano
- Opus 45 – The Return of Maxim, music for the film (1936-1937)
- Opus 46 – 4 Romances on Poems by Pushkin, for bass and piano (1936-1937)
- Opus 46a – 3 Romances on Poems by Pushkin, for bass and orchestra, (original orchestration by Shostakovich) (1937)
- Opus 47 – Symphony No: 5, D minor (1937)
- Opus 47 – Symphony No: 5, D minor, transcription for 2 pianos
- Opus 48 – Volochayevka Days. music for the film (1936-1937)
- Opus 49 – String Quartet No: 1, C major (1938)
- Opus 49 – String Quartet No: 1, C major, transcription for piano
- Opus 50 – The Vyborg Side, music for the film (1938)
- Opus 50a – Suite from music for the Maxim Film Trilogy, for chorus and orchestra, (Atovmyan)
- Opus 51 – The Friends, music for the film (1938)
- Opus 52 – The Great Citizen (Series I), music for the film (1938)
- Opus 53 – The Man with a Gun, music for the film (1938)
- Opus 54 – Symphony No: 6 , B minor (1939)
- Opus 54 – Symphony No: 6, B minor, transcription for 2 pianos
- Opus 55 – The Great Citizen (Series II), music for the film (1939)
- Opus 56 – The Silly Little Mouse, music with the tale for the cartoon film (1939)
- Opus 56 – The Story of the Silly Baby Mouse, the children’s opera, transcription for voices and piano
- Opus 57 – Piano Quintet, G minor (1940)
- Opus 58 – Boris Godunov, the opera by Musorgsky (1939-1940)
- Opus 58a – King Lear, the incidental music, for voices and orchestra, after Shakespeare (1940)
- Opus 58a – King Lear, the incidental music, transcription for voices and piano
- Opus 58a – King Lear, the incidental music, Cordelia’s Ballade and Fool’s Songs for voices and piano (1940)
- Opus 59 – The Adventures of Korzinkina, music for the film (1940)
- Opus 59 – Suite from music for the film The Adventures of Korzinkina, orkesterille (Rozhdestvensky)
- Opus 60 – Symphony No: 7, ”Leningrad”, C major (1941)
- Opus 60 – Symphony No: 7, ”Leningrad”, C major, transcription for 2 pianos
- Opus 60 – Symphony No: 7, ”Leningrad”, C major, transcription for piano
- Opus 61 – Piano Sonata No: 2, B minor (1942)
- Opus 62 – 6 Romances on Verses by British Poets, for bass and piano (1942)
- Opus 62a – 6 Romances on Verses by British Poets, for bass and symphony orchestra (1943)
- Opus 63 – Native Leningrad, the incidental music from spectacle ”Motherland”, for chorus and orchestra (1942)
- Opus 63 – Native Leningrad, the incidental music from spectacle ”Motherland”, transcription for chorus and piano
- Opus 64 – Zoya, music for the film (1944)
- Opus 64a – Suite from mussic for the film Zoya, for choir and orchestra (Atovmyan)
- Opus 65 – Symphony No: 8, C minor, ”Stalingrad” (1943)
- Opus 65 – Symphony No: 8, C minor, ”Stalingrad”, transcription for 2 pianos
- Opus 66 – Russian River, the incidental music, for chorus and orchestra (1944)
- Opus 66 – Russian River, the incidental music, transcription for chorus and piano
- Opus 67 – Trio No: 2, E minor (1944)
- Opus 68 – String Quartet No: 2, A major (1944)
- Opus 68 – String Quartet No: 2, A major, transcription for piano
- Opus 69 – A Child’s Exercise Book, for piano (1944-1945)
- Opus 70 – Symphony No: 9, E flat major (1945)
- Opus 70 – Symphony No: 9, E flat major, transcription for four-hands piano
- Opus 71 – Simple Folk, music for the film (1945)
- Opus 72 – Victorious Spring, the incidental music after Svetlov, 3 songs for voices and orchestra (1945)
- Opus 72 – 2 Songs to Words by Svetlov, for voice and piano (1945)
- Opus 73 – String Quartet No: 3, F major (1946)
- Opus 73 – String Quartet No: 3, F major, transcription for piano
- Opus 73a – Chamber Symphony, (Barshai)
- Opus 74 – Poem of the Motherland, cantata for mezzo soprano, tenor, 2 baritones, chorus and orchesta (1947)
- Opus 74 – Poem of the Motherland, cantata, transcription for mezzo soprano, tenor, 2 baritones, chorus and piano
- Opus 75 – The Young Guard, music for the film, after Fadeyev (1947-1948)
- Opus 75 – Farewell, from the film The Young Guard, for String Quartet
- Opus 75a – Suite from music for the film The Young Guard, for chorus and orchestra(Atovmyan) (1951)
- Opus 76 – Pirogov, music for the film, after German (1947)
- Opus 76a – Suite from the music for the film Pirogov, for orchestra (Atovmyan) (1947)
- Opus 77 – Violin Concerto No: 1, A minor (1947-1948)
- Opus 77 – Violin Concerto No: 1, A minor, transcription for violin and piano
- Opus 78 – Michurin, music for the film (1948)
- Opus 78a – Suite from music for the film Michurin, for chorus and orchestra (Atovmyan) (1964)
- Opus 79 – From Jewish Folk Poetry, for soprano, contralto, tenor and piano (1948)
- Opus 79a – From Jewish Folk Poetry, for soprano, contralto, tenor and orchestra (1948)
- Opus 80 – The Meeting on the Elbe, music for the film (1948)
- Opus 80 – The Meeting on the Elbe, songs for voice and piano
- Opus 80a – Suite from music for the film The Meeting on the Elbe, for voices, chorus and orchestra (1948)
- Opus 81 – The Song of the Forest, oratorio after Dolmatovsky, for tenor, bass, chorus, boy’s chorus and orchestra (1949)
- Opus 81 – The Song of the Forest, oratorio, transcription for tenor, bass, chorus, boy’s chorus and piano
- Opus 82 – The Fall of Berlin, music for the film (1949)
- Opus 82a – Suite from the music for the film The Fall of Berlin, for chorus and orchestra (Atovmyan) (1950)
- Opus 83 – String Quartet No: 4, D major (1949)
- Opus 83 – String Quartet No: 4, D major, transcription for piano
- Opus 83a – Chamber Symphony, (Barshai)
- Opus 84 – 2 Romances on Verses by Lermontov, for voice and piano (1950)
- Opus 85 – Belinsky, music for the film, for chorus and orchestra (1950)
- Opus 85a – Suite from music for the film Belinsky, for chorus and orchestra (Atovmyan) (1960)
- Opus 86 – 4 Songs to Words By Dolmatovsky, for voice and piano (1951)
- Opus 87 – 24 Preludes and Fugues, for piano (1950-1951)
- Opus 88 – 10 Poems on Texts by Revolutionary Poets, for chorus and boy’s chorus a cappella (1951)
- Opus 89 – The Unforgottable Year 1919, music for the film (1951)
- Opus 89a – Suite from music for the film The Unforgottable Year 1919, for orchestra (Atovmyan) (1953)
- Opus 90 – The Sun Shines over our Motherland, cantata after Dolmatovsky, for chorus, boy’s chorus and orchestra (1952)
- Opus 90 – The Sun Shines over our Motherland, cantata, transcription for chorus, boy’s chorus and piano
- Opus 91 – 4 Monologues on Verses by Pushkin, for bass and piano (1952)
- Opus 92 – String Quartet No: 5. B flat major (1952)
- Opus 93 – Symphony No: 10, E minor (1953)
- Opus 93 – Symphony No: 10, E minor, transcription for 2 pianos (1953)
- Opus 94 – Concertino for 2 pianos, A minor (1953)
- Opus 95 – Song of the Great Rivers, (as Unity), music for the documentary film (1954)
- Opus 96 – Festive Overture, A major, for orchestra (1954)
- Opus 96 – Festive Overture, A major, transcription for piano
- Opus 97 – The Gadfly, music for the film, after Voynitsh (1955)
- Opus 97a – Suite from music for the film The Gadfly, for orchestra (Atovmyan) (1955)
- Opus 98 – 5 Romances on Verses by Dolmatovsky, for bass and piano (1954)
- Opus 99 – The First Echelon, music for the film (1955-1956)
- Opus 99 – The First Echelon, Maiden Tender Song, for voices and piano
- Opus 99a – Suite from music for the film The First Echelon, for chorus and orchestra (1956)
- Opus 100 – Spanish Songs, for mezzo-soprano and piano (1956)
- Opus 101 – String Quartet No: 6, G major (1956)
- Opus 102 – Piano Concerto No: 2, F major (1957)
- Opus 102 – Piano Concerto No: 2, F major, transcription for 2 pianos
- Opus 103 – Symphony No: 11, G minor, ”The Year 1905” (1957)
- Opus 103 – Symphony No: 11, G minor, ”The Year 1905”, transcription for 2 pianos
- Opus 104 – Cultivation: 2 Russian Folk Song, for chorus a cappella (1957)
- Opus 105 – Moscow, Cheryomushki, operetta in three acts (1958)
- Opus 105 – Moscow, Cheryomushki, operetta in three acts, transcription for voices, chorus and piano
- Opus 105a – Cheryomushki, music for the operetta film (1962)
- Opus 106 – Khovanshchina, the opera by Musorgsky, music for the opera film
- Opus 106 – Khovanshchina, the opera in five acts by Musorgsky (1959)
- Opus 107 – Cello Concerto No: 1, E flat major, (1959)
- Opus 107 – Cello Concerto No: 1, E flat major, transcription for cello and piano
- Opus 108 – String Quartet No: 7, F sharp minor (1960)
- Opus 109 – Satires, (Pictures of The Past), 5 Romances on Words By Chorny, for soprano and piano (1960)
- Opus 110 – String Quartet No: 8, C minor (1960)
- Opus 110a – Chamber Symphony, (Barshai)
- Opus 111 – Five Days, Five Nights, music for the film (1960)
- Opus 111a – Suite from music for the film Five Days, Five Nights, for orchestra (Atovmyan) (1961)
- Opus 112 – Symphony No: 12, D minor, ”The Year 1917” (1961)
- Opus 112 – Symphony No: 12, D minor, ”The Year 1917”, transcription for 2 pianos
- Opus 113 – Symphony No: 13, B flat minor, ”Babi Yar”, after poem by Jevtushenko, for bass, bass chorus and orchestra (1962)
- Opus 113 – Symphony No: 13, B flat minor, ”Babi Yar”, transcription for bass, bass chorus and piano
- Opus 114 – Katerina Izmailova, the opera in four acts, after Leskov (1956-1963)
- Opus 114 – Katerina Izmailova, the opera in four acts, transcription for voices, chorus and piano
- Opus 114a – 5 Interludes – Suite from the opera Katerina Izmailova, for orchestra (1963)
- Opus 114b – Interlude between Scenes 6 and 7, from the opera Katerina Izmailova, reorchestration (without a band)
- Opus 114 – Katerina Izmailova, music for the opera film (1966)
- Opus 115 – Overture on Russian and Kirghiz Folksongs (1963)
- Opus 116 – Hamlet, music for the film, after Shakespeare (1963-1964)
- Opus 116a – Suite from music for he film Hamlet, for orchestra (Atovmyan) (1964)
- Opus 117 – String Quartet No: 9, E flat major (1964)
- Opus 118 – String Quartet No: 10, A flat major (1964)
- Opus 118a – Symphony for Strings, (Barshai)
- Opus 119 – The Execution of Stepan Razin, cantata after Jevtushenko, for bass, chorus and orchestra (1964)
- Opus 119 – The Execution of Stepan Razin, cantata, transcription for bass, chorus and piano
- Opus 120 – A Year as Long as a Lifetime, music for the film (1965)
- Opus 120a – Suite from music for the film A Year as Long as a Lifetime, for orchestra (Atovmyan) (1965)
- Opus 121 – 5 Romances on Text from ”Krokodil”, for bass and piano (1965)
- Opus 122 – String Quartet No: 11, F minor (1966)
- Opus 123 – Preface to the Complete Collection of my Works and a Brief Reflection upon this Preface, for bass and piano (1966)
- Opus 124 – 2 Choruses by Davidenko, orchestration, for chorus and orchestra (1962)
- Opus 125 – Cello Concerto by Schumann, A minor, reorchestration (1963)
- Opus 126 – Cello Concerto No: 2, G minor (1966)
- Opus 126 – Cello Concerto No: 2, G minor, transcription for cello and piano
- Opus 127 – 7 Romances on Poems of A. Blok, for soprano, violin, cello and piano (1967)
- Opus 128 – Romance Spring, Spring, on Words by Pushkin, for bass and piano (1967)
- Opus 129 – Violin Concerto No: 2, C sharp minor (1967)
- Opus 129 – Violin Concerto No: 2, C sharp minor, transcription for violin and piano
- Opus 130 – Funeral-Triumphal Prelude, for orchestra (1967)
- Opus 131 – October, symphonic poem, C minor, for orchestra (1967)
- Opus 131 – October, symphonic poem, C minor, transcription for piano
- Opus 132 – Sofya Perovskaya, music for the film (1967)
- Opus 133 – String Quartet No: 12, D flat major (1968)
- Opus 134 – Violin Sonata (1968)
- Opus 135 – Symphony No: 14, for soprano, bass, string orchestra and percussions (1969)
- Opus 135 – Symphony No: 14, transcription for voices and piano
- Opus 136 – Loyalty, 8 Ballads after Dolmatovsky, for male chorus a cappella (1970)
- Opus 137 – King Lear, music for the film, after Shakespeare (1970)
- Opus 138 – String Quartet No: 13, B flat minor (1970)
- Opus 138 – String Quartet No: 13, B flat minor, transcription for piano
- Opus 139 – Soviet Militia, march, for wond orchestra (1970)
- Opus 140 – 6 Romances on Verses by British Poets, for bass and chamber orchestra, (reorchestration from op. 62) (1971)
- Opus 141 – Symphony No: 15, A major (1971)
- Opus 141 – Symphony No: 15, A major, transcripion for 2 pianos
- Opus 142 – String Quartet No: 14, F sharp major (1972-1973)
- Opus 143 – 6 Songs on Poem of. M. Tsvetayeva, for contralto and pianolle (1973)
- Opus 143a – 6 Songs on Poem of. M. Tsvetayeva, for contralto and chamber orchestra (1974)
- Opus 144 – String Quartet No: 15, E flat minor (1974)
- Opus 145 – Suite on Verses on Michelangelo, for bass and piano (1974)
- Opus 145a – Suite on Verses on Michelangelo, for bass and orchestra (1975)
- Opus 146 – 4 Verses of Captain Lebyadkin, for bass and piano (1975)
- Opus 147 – Viola Sonata (1975)
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WORKS WITHOUT OPUS-NUMBERS:
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- Opus A – 3 early pieces, for piano (1919-1920)
- Opus B – 5 preludes, for piano (1920-1921)
- Opus C – I Waited for Thee in the Grotto, for soprano and orchestra, (Rimsky-Korsakov) (1921)
- Opus Di – 2 Pieces for String Quartet (1931)
- Opus Dii – Overture for the Green Guild, (Drezhinsky) (1931)
- Opus Diii – From Karl Marx to Our Own Days (1932)
- Opus Div – The Big Lightning, the unfinished opera (1932)
- Opus Div – The Big Lightning, the unfinished opera, transcription for voices and piano
- Opus Dv – Symphony of Psalms, (Stravinsky), transcription for four-hands piano (1930)
- Opus Dvi – Moderato for Cello and piano (1930’s)
- Opus E – Suite for Jazz Orchestra No: 1 (1934)
- Opus E – Suite for Jazz Orchestra No: 1, transcription for piano
- Opus F – The Internationale, (Degeyter) (1937)
- Opus G – Suite for Jazz Orchestra No: 2 – (Suite for Variety Stage Orchestra) (1938)
- Opus Hi – Vienna Blood, reorchestration, (J. Strauss II) (1938)
- Opus Hii – Excursion Train Polka, reorchestration, (J. Strauss II) (1940)
- Opus I – 3 Pieces for Solo Violin (1940)
- Opus Ji – Oath to the People’s Commissar, for bass, chorus and piano (1941)
- Opus Jii – 27 Romances and Songs – Songs from the Front (1941)
- Opus Jiii – The Fearless Regiments Are on the Move (1941)
- Opus Jiv – Polka for 2 harps, (Balakirev) (1941)
- Opus Ki – The Gamblers, the unfinished opera, after Gogol (1941-1942)
- Opus Ki – The Gamblers, the unfinished opera, transcription for voices and piano
- Opus Kii – Rothschild’s Violin, (Fleishman), the opera in one act after Chekhov, orchestration (1944)
- Opus L – Solemn March, for wind orchestra (1942)
- Opus M – 8 British and American Folksongs, orchestration, for voices and orchestra (1943)
- Opus Ni – Patriotic Song, after Dolmatovsky (1943)
- Opus Nii – Song of the Red Army, after Golodny (1943)
- Opus Niii – National Anthem, (Aleksandrov), transcription for chorus and piano (1944)
- Opus Oi – Merry March, for 2 pianos (1949)
- Opus Oii – Tarantella, for 2 pianos (1955)
- Opus Oii – Prelude No: 15, from 24 preludes and fugues, arr. for 2 pianos (1963)
- Opus Pi – Ballet Suite No: 1, for orchestra (1949)
- Opus Pi – Ballet Suite No: 2, for orchestra (1951)
- Opus Pi – Ballet Suite No: 3, for orchestra (1952)
- Opus Pi – Ballet Suite No: 4, for orchestra (1953)
- Opus Pii – 4 Waltzes, for flute, clarinet and piano, (Atovmyan) (1955)
- Opus Piii – 3 Violin Duets, for 2 violins and piano, (Atovmyan) (1955)
- Opus Piii – 5 Violin Duets, for 2 violins and piano, (Atovmyan)
- Opus Piv – 3 Pastiche Dances, for wood wind quintet, (Hulme) (1985)
- Opus Q – 10 Russian Folk Songs, for chorus and piano (1951)
- Opus R – Greek Songs, for voice and piano (1952-1953)
- Opus Si – Dances of the Dolls, for piano (1952)
- Opus Sii – Murzilka, for piano (during 1944-1952)
- Opus T – 11 Variations on Theme by Glinka, (Nos. 8., 9., 11.), for piano (1957)
- Opus U – Novorossiisk Chimes, for orchestra (1960)
- Opus U – Novorossiisk Chimes, transcription for piano
- Opus V – Songs and Dances of Death, (Musorgsky), orchestration (1962)
- Opus W – Cello Concerto No: 1, (Tishchenko), orchestration (1969)
- Opus Xi – A Toast to our Motherland, for tenor, chorus and piano (1944)
- Opus Xi – The Blac Sea, for bass, male chorus and piano or bayan (1944)
- Opus Xi – Song: Our Native Country has Gained Strenght from the Storms (1945)
- Opus Xi – Song: Hymn to Moscow (1945)
- Opus Xi – Song: To France
- Opus Xi – Song: Glory to the Shipbuilders
- Opus Xi – Song: Our Songs (1950)
- Opus Xi – Song: Supporters of Peace March (1950)
- Opus Xi – Song: Bird of Peace (1950)
- Opus Xi – There Were Kisses, for bass and piano (1953)
- Opus Xi – October Dawn, for voice, chorus and orchestra (1957)
- Opus Xi – We Cherish the October Dawns in our Hearts, for chorus and piano (1957)
- Opus Xi – We Sing Glory to Our Country, for chorus and piano (1957)
- Opus Xi – La Serenata, (Braga), for voices, violin and piano (1972)
- Opus Xii – Cantata Rayok, for voices and piano (1948)
- Opus Xiii – Orchestral Intervision, 1971
- Opus Y – My Native Country, (Silantiev), compilated from opuses F, 63, 66, 72 (1970)
- Opus Z – Song of the Flea, (Beethoven), orchestration (1975)
- NEW WORKS 1 – Suite for Jazz Orchestra No: 2, in 3 parts
- NEW WORKS 1 – Suite for Jazz Orchestra No: 2, in 3 parts, transcription for piano
- NEW WORKS 2 – Symphony No: 4, unfinished fragment – Adagio
- NEW WORKS 3 – Symphony No: 9, unfinished
- NEW WORKS 4 – Opera Orango, Prologue
- NEW WORKS 5 – Symphony No: 3, (Honegger), transcription for 2 pianos
- NEW WORKS 6 – Unfinished String Quartet, op. 117a – Allegretto
- NEW WORKS 7 – Scottish Ballade: Annie Laurie
- NEW WORKS 8 – Suite on Finnish Folk Songs, for voices and chamber orchestra (1939)
- NEW WORKS 9 – 8 Waltzes from film music, Suite for symphony orchestra
- NEW WORKS 10 – Unfinished Sonata for Violin and Piano (1945)
- NEW WORKS 11 – Symphony No: 10, fragment (Mahler), transcription for 2 pianos
- NEW WORKS 12 – Adagio Cantabile, from Piano Sonata No: 8, op. 13, part 2., (Beethoven), orchestration
- NEW WORKS 13 – Maestoso, from Piano Sonata No: 32, op. 111, part 1., (Beethoven), orchestration
- NEW WORKS 14 – Military March, F major, (Schubert), orchestration
- NEW WORKS 15 – Russian Folk Songs: Hey, Let’s Bang! and Cagdel, for voice and orchestra
- NEW WORKS 16 – German March, from the film Warmongers, for wind orchestra
- NEW WORKS 17 – Two Madrigals, for tenor and piano
- NEW WORKS 18 – Piano Fugues of the 1930’s (1930’s)
- FILM WORKS 1 – October, music for the film (1960’s)
- FILM WORKS 2 – The Battleship Potemkin, music for the film (1960’s)
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SOME GREATEST ARRANGEMENTS:
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- Opus 11 – Prelude and Scherzo, for string octet, arr. for string orchestra
- Opus 36a – The Tale of a Priest and His Servant Balda, the opera by Khentova (1980)
- Opus 40 – Cello Sonata, arr for viola and piano
- Opus 46 – 4 Romances on Poems by Pushkin, arr. for bass and orchestra, (McBurney)
- Opus 49a – String Quartet No: 1, arr. for string orchestra, (Barshai)
- Opus 91 – 4 Monologues on Verses by Pushkin, arr. for bass and orchestra, (Rozhdestvensky)
- Opus 105a – Suite for orchestra from operetta Moscow, Cheryomushki, for orchestra, (Cornall)
- Opus 109 – Satires, arr. for voice and orchestra, (Tishchenko)
- Opus 110 – String Quartet No: 8, some other orchestrations
- Opus 121 – 5 Romances on Text from ”Krokodil”, arr. for bass and orchestra, (Tishchenko)
- Opus 123 – Preface to the Complete Collection of my Works and a Brief Reflection upon this Preface, arr. for voice, chorus and orchestra, (Desyatnikov)
- Opus 128 – Romance Spring, Spring, arr. for bass and orchestra, (Rozhdestvensky)
- Opus 138 – Sinfonia for viola and strings, (Tchaikovsky)
- Opus 141a – Symphony No: 15, arr. for chamber ensemble
- Opus 146 – 4 Verses of Captain Lebyadkin, arr. for bass and orchestra, (Tishchenko)
- Opus 147 – Viola Sonata, arr. for cello and piano
- Opus Di – 2 Pieces for String Quartet, arr. for string orchestra
- Opus Ki – The Gamblers, the unfinished opera, finished by Rozhdestvensky
- Opus Ki – The Gamblers, the unfinished opera, finished by Meyer, in 3 acts
- Arrangement work – Katerina Izmailova – symphony, for orchestra after Shostakovich opera, by B. Basner
- Arrangement work – The Lady and The Hooligan, the ballet, (Atovmyan)
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Please note. ”NEW WORKS” in Works without opuses refers to new archive findings made on 21st century.